PLaCE Research Centre at UWE

PUBLICATIONS

Members of place. regularly publish their work through monographs, edited collections, chapters and papers in academic journals.

	Adams, Suze (Ed), Moving Between the Lines, Wild Conversations Press for PLaCE 2011, ISBN: 978-0-9560266-1-3 Moving Between the Lines: PDF download
	Gough Paul, The living, the dead and the imagery of emptiness and re-appearance on the battlefields of the Western Front in Deathscapes, Spaces for Death, Dying, Mourning and Remembrance. Edited by Avril Maddrell, University of the West of England, UK and James D. Sidaway, University of Amsterdam, The Netherlands, 2010,ISBN: 978-0-7546-7975-2
	Biggs Iain, Essaying Place: Landscape, Music and Memory (after Janet Wolff) in Process Landscape and Text, edited by Catherine Brace and Adeline Johns-Putra, Amsterdam/New York, NY, 2010, 362 pp.
	Jones Ruth, Holy Hiatus, Parthian Books Publishing, 2010, ISBN: 9781905762552
	O'Neil, Paul and Wilson, Mick, Curating and the Educational Turn, Open Editions/de Appel arts centre ISBN: 978-0-949004-18-5 2010
	Gough, Paul, A Terrible Beauty British Artists in the First World War, Sansom, 2010, ISBN: 978-1-906593-00-1
	Doherty, Claire (ed.) Documents of Contemporary Art: Situations, cambridge, Mass: MIT Press and London: Whitechapel, 2009
	*Doherty, Claire and Cross, David (eds.) One Day Sculpture,* Bielefeld, Germany: Kerber Verlag, 2009**
	Biggs, Iain & Biggs, Josh On Mull Bristol: Wild Conversations Press for TRACE 2009.
	Biggs, Iain ‘Song and the presence of Absent Communities’ in Journal of Arts and Communities vol 1 no 1 2009.
	Biggs, Iain Art as Research: Creative Practice and Academic Authority: A project-based examination of the politics of art-led research in a doctoral context VDM Verlag Dr. Muller Aktiengesellschaft & Co. KG 2009.
	Gough, Paul Commemoration of war in The Ashgate Research Companion to Heritage and Identity, Edited by Brian Graham, University of Ulster, UK and Peter Howard, Bournemouth University, UK, ISBN: 978-0-7546-4922-9, 2008
	Biggs, Iain & Jones Ruth chimaerae verae' Bristol: Wild Conversations Press for TRACE 2007.
	Biggs, Iain ‘Place, Enchantment, and “Visual Refrain”: a Context for Recent Book Work by Helen Douglas’ in The Blue Notebook vol 1 no 2 April 2007 pp. 12-21.
	Biggs, Iain ‘Art, Dyslexia and Creativity’ in Morag Kiziewicz & Iain Biggs (eds) Cascade – creativity across science, art, dyslexia, education Bath: University of Bath Learning Support Centre 2007.
	Biggs, Iain ‘Bordering’ in Holly McLaren (ed) bordering: an art / geography collaboration London: Queen Mary, University of London 2007.
	Biggs, Iain Debatable Lands Vol 1 2007 (with contributions from Samira Abbassy, Jane Millar & Gary Peters) Bristol: Wild Conversations Press (for TRACE) 2007.
	O'Neill, Paul, Ed. Curating Subjects.London: Open Editions, 2007. Curating Subjects is an anthology of new curatorial writing that documents the inter-dependent relationships between the curatorial past, present, and speculative futures.
	O’Neill, Paul. “The Curatorial Turn: From Practice to Discourse.” Curating, Contemporary Art and Performance. Ed Juditt Rugg. Canterbury: University College for the Creative Arts, 2007.
	Doherty, Claire. “Curating Wrong Places…Or Where Have All the Penguins Gone.” Curating Subjects. Ed. Paul O’Neill. London: Open Editions, 2007.
	Gough, Paul J. “’Calculating the future’ – panoramic sketching, reconnaissance drawing and the material trace of war.” Contested objects: material memories of the Great War. Ed. N Saunders and P Cornish. London: UCL Press, 2007. In press
	Gough, Paul J. “Planting peace: the Greater London Council and the community gardens of central London.” International Journal of Heritage Studies in press (2007)
	Biggs, Iain ‘Art as Research, Doctoral Education and the Politics of Knowledge’ in engage 1no. 2006.
	Biggs, Iain 'Recovering Landscape: an art between seeing and hearing' in JVAP vol. 5 no 1 & 2 2006.
	Doherty, Claire “In Search of the Miraculous.” Back to the Future. ICA, London. 25 July 2006. This presentation was made as part of the Back to the Future curatorial competition of imaginary exhibitions in which four curators were invited to 'rewrite history' by presenting alternative proposals to the 2001 inaugural exhibition of Tate Modern.
	Doherty, Claire "Atmosphere - the work of Paul Rooney", Got Up Late the Other Day. Paul Rooney monograph. Colchester: Firstsite, 2006.
	Gough, Paul J. “Insurrection: Resurrection: reviving the dead in the work of Stanley Spencer, Otto Dix and Jeff Wall.” Spaces, Haunting, Discourse, Multi-Disciplinary Conference. Karlstad University, Sweden. 15-18 June 2006.
	Gough, Paul J. Stanley Spencer: Journey to Burghclere. Bristol: Sansom and Company, 2006. ISBN 1 9404537, 2006 Drawing on Spencer´s own letters, illustrations and paintings, Paul Gough tells the story of the artist´s journey from cosseted family life, through the drudgery of a war hospital and the malarial battlefields of a forgotten front, to his unique vision of peace and resurrection in Burghclere. The book locates Spencer´s work alongside other soldier-artists of the time.
	Biggs, Iain 'Towards a Polytheistic Relationship to Landscape: Issues for Contemporary Art' in Landscape Research vol 30 no 1 2005.
	Biggs, Iain & Wood, Amanda 'Creative Practices and the "Stigma of the Therapeutic": an issue for postgraduate pedagogy?' in Miles, M (ed) New Practices New Pedagogies: a Reader London and New York: Routledge 2005.
	Biggs, Iain & Walker-Barker, David 'Place as a point of entry into a latticework of sensuous cognition open to deep time' or 'The studio as echo chamber' in Contained Histories London: Hart Gallery 2005.
	Biggs, Iain 'Unearthing Other Voices - a "polytheistic" approach to landscape' in Surface: Land/Water and the Visual Arts (2005) Bristol: University of Plymouth Books in association with Intellect Books 2005
	Biggs, Iain 'Hybrid texts and academic authority: the wager in creative practice research' in Thinking Through Art: art / philosophy / language London & New York: Routledge 2005.
	Biggs, Iain & Peters, Gary Eight Lost Songs Making Space Publications 2005.
	Doherty, Claire, ed. Thinking of the Outside: New art and the city of Bristol. Bristol: Bristol Legible City and the University of the West of England in association with Arnolfini, 2005 ISBN 1 86043 3774 Six internationally acclaimed artists were commissioned to respond to Bristol's historic landscape. This book traces how their research took the artists beyond the limits of the city, to examine present-day boundaries, architecture and attitudes that deal with the relationship between outsider and insider.
	Dunhill, Mark and O’Brien, Tamiko. Sculptomatic. Surrey: James Hockey Gallery Publications, 2005. ISBN 0-9543810-8-4
	Gough, Paul J. “'That vile place' - the Beaufort War Hospital as a place of revelation and inspiration in the work of Stanley Spencer.” Health History West Seminar Group, UK Centre for the History of Nursing & Midwifery, Bristol. 18 May 2005.
	Gough, Paul J. “Guerilla gardening: spheres of public interaction, intervention and invasion” Public Spheres: contested monuments, meanings, identities, and spaces, Armenian Association of Art Critics (AAAC) University of Plymouth. 21 June 2005.
	Gough, Paul J. “Peace in Ruins – the value of mementoes, temporary shrines and floral tributes as markers of a public sphere.” Conference: Public Sphere: Between Contestation and Reconciliation, American University of Armenia, Yerevan. 25 – 27 October 2005.
	Gough, Paul J. “Garden of gratitude, the National Memorial Arboretum and strategic ‘remembering’.” People & their Pasts. International Public History Conference, Ruskin College, Oxford. 16 – 17 September 2005.
	Biggs, Iain Between Carterhaugh and Tamshiel Rig: a borderline episode Bristol, Wild Conversations Press for TRACE 2004.
	Davies, Allan Ed. Collaborative Art practice and the Fine Art curriculum in Enhancing the Curricula. London: University of the Arts, 2004 ISBN 0-9541439-3-0
	Gough, Paul J. “Corporations and commemoration – First World War remembrance, Lloyds TSB and the National Memorial Arboretum.” International Journal of Heritage Studies Winter (2004): 435-455 ISSN 1352-7258
	Doherty, Claire "Location, Location." Art Monthly. November 2004
	Doherty, Claire, ed. Contemporary Art: From Studio to Situation. London: Black Dog Publishing, 2004 ISBN 1-904772-06-04 This book describes the shift in focus that has taken place in much contemporary art practice in the last decade. From the notion of relational aesthetics to the concerns of site-specificity, this book provides a new critical investigation into the production and curation of contemporary art.
	Gough Paul J. “‘Rhetorical topographies” Art after landscape: memory place and identity, AHRB Centre for Cultural analysis, Theory and History, University of Leeds and LAN2D, Dean Clough Galleries, Halifax. 5 - 6 November 2004.
	Gough, Paul J. “Corporations and commemoration – First World War remembrance, Lloyds TSB and the National Memorial Arboretum.” International Journal of Heritage Studies Winter (2004): 435-455 ISSN 1352-7258
	Gough, Paul J. “Sites in the imagination: the Beaumont Hamel Newfoundland Memorial on the Somme.” Cultural Geographies 11.3 (2004): 235-258. ISSN 1474 - 4740
	Gough, Paul J. “Towards the creation of a national memorial shrine.” The Politics of Cultural Memory, Manchester Metropolitan University. 4 - 6 November 2004.
	Gough, Paul J. "Calculating the future: panoramic sketching, reconnaissance drawing and the material trace of war" Conflict, Memory and material culture: the Great War 1914-2004, The Second University College London/Imperial War Museum Conference on Materialities and Cultural Memory of 20th-Century. Conflict, Imperial War Museum, London. 11 September 2004.
	Gough, Paul J. and Morgan, Sally J. “Manipulating the Metonymic: the politics of civic identity and the Bristol Cenotaph, 1919 – 1932.” Journal of Historical Geography 30 (2004): 665-684. ISSN 0305-7488
	Biggs, Iain ‘Re/visiting, Re/visioning, Re/placing’ in Judith Tucker: Resort at ONLY ATELIER, September 4 – 20, 2003. Wein, Austria 2003.
	Biggs, Iain ‘An ambiguous tenderness – mapping of the unspoken’ in Bronwyn Platten: Love Maps and Shadow Play. 11thSeptember – 11th October. Experimental Art Foundation, Adalade, South Australia 2003.
	Ure, M and Voss, R, Ed. scenery. Venice: Published by Nuova Icona in association with the University of the West of England and E.S.U., University of Ca Foscari, 2003. ISBN 88-87632-19- Two-volume publication. Essays by Adam Caruso, Martin Herbert, Andrew Spicer, Sally O'Reilly and Bernard Walsh. Illustrations by Wim Delvoye, Charles Mason, Hiroshi Sugimoto, Mandy Ure, Roy Voss and Naomi Wilkinson.
	Gough, Paul J. “Invicta Pax’ Monuments, Memorials and Peace ; an analysis of the Canadian Peacekeeping Monument, Ottawa.” International Journal of Heritage Studies 8.3 (2002): 201-223. ISSN 1352-7258
	Gough, Paul J. “Peacekeeping, Peace, Memory: Reflections on the Peacekeeping Monument in Ottawa, Canada.” Canadian Military History 11.3 (2002): 65-74. ISSN 1195-8472
	Biggs, Iain "Educating 'Local Cosmopolitans': the case for a critical regionalism in art education?" in Journal of Visual Art Practice Vol. 1 No. 1 2001.
	Gough Paul J. “’Through the wrong end of the telescope’ : Military Drawing and British War artists, 1914 – 1918.” Peindre la Grande Guerre 1914 – 1918, Cahiers d’etudes et de recherches du Musee de’l’Armee. Paris: IAMAM, 2001. 97-111. ISBN 2-901418-260
	Gough, Paul J. “Landscapes of War (and Peace).” Monuments and the Millennium. Ed. Robert White. London: James and James and English Heritage, 2001. 228 – 236. ISBN 1-873936 - 97 – 4
	Biggs, Iain 'The State of the Art: Art Education and Radical Imagination' in European Journal of Arts Education Feb. 2000.
	Biggs, Iain; Millar, Jane & Duncan, Andrea (eds) FOLD Issue one, Feb. 2000. London, FOLD Group.
	Dunhill, Mark and O’Brien, Tamiko. The Lost Works of Dunhill and O’Brien. Bristol: Wild Conversations Press, 2000 ISBN 1 902 595 04 1
	Doherty, Claire "Social Work, Social Sculpture", Supermanual: A user's guide. Liverpool: FACT, 2000.
	Gough, Paul J. “From Heroes’ Groves to Parks of Peace.” Landscape Research 25.2 (2000): 213 – 229. ISSN 0142 – 6397
	Biggs, Iain Ken Kiff's Sequence Bristol, MakingSpace Publications 1999.
	Gough, Paul J. “War Memorial Gardens as Dramaturgical Space.” International Journal of Heritage Studies 3.4 (1998): 199 – 214. ISSN 1352 - 7258
	Benci, Jacopo. Responding to Rome, British artists in Rome 1995-2005. Rome: British School at Rome, 1996. ISBN 0 904152 49 9
	Gough, Paul J. “Canada, Conflict and Commemoration: An Appraisal of the new Canadian War Memorial.” Canadian Military History 5.1 (1996): 26 – 34. ISSN 1195 - 8472
	Gough, Paul J. “Conifers and Commemoration; The Politics and Protocol of Planting in Military Cemeteries.” Landscape Research 21.1 (1996): 73 – 87. ISSN 0142 – 6397
	Gough, Paul J. “The Avenue at War.” Journal of the Landscape Research Group 18.2 (1993): 78 – 90. ISSN 0142-6397