Matthew Partington

 

Dr Matthew Partington is V&A Museum Senior Research Fellow at the Bristol School of Art, Media and Design at UWE, Bristol. He is also Director of the National Electronic and Video Archive of the Crafts (NEVAC)

Matthew's enamel work has concentrated on his interest in his family history. An extension of his concern as an oral historian to give a voice to those who would otherwise go unnoticed, his family history work is part of a desire to keep the memory of past generations alive.

Curriculum Vitae:

Date of Birth:
29.05.1971 (Douglas, Isle of Man)

Education:
2001-2006 PhD, registered part-time at the University of the West of England, Bristol. Title: ‘London Coffee Bars of the 1950s – an Eclectic Challenge to Modernist Design Practice’.  Completed 2008.

1994 MA in Museum Studies - Pass (Thesis: Distinction)
University of Leicester

1992 BA Hons (2i) History of Art
University of Warwick


Employment:
June 2004 - : Victoria and Albert Museum Senior Research Fellow in the Applied Arts and Director of National Electronic & Video Archive of the Crafts (UWE, Bristol).

September 2001 – June 2004: Victoria and Albert Museum Research Fellow in the Applied Arts and Acting Director of National Electronic & Video Archive of the Crafts.

June 1998 – September 2001: Research Associate, Digital Archiving and the Applied Arts, University of the West of England and the Victoria and Albert Museum, London.

Oct 1994 - May 1998: Curator, Nature in Art, Wallsworth Hall, Glos., GL2 9PA


Recent Publications:
Paper in conference proceedings: ‘A blurred photograph of Jesus is better than no photograph at all’ – the practicalities of using video as an oral history tool’, International Oral History Conference, University of Guadalajara, Mexico, 26th September 2008.

Paper in conference proceedings: ‘Ceramics of South West England’, in Explorations and Navigations, Proceedings of the NCECA 40th Annual Conference, Portland, Oregon, 2006, pp.97-101. ISSN 0739-1544.

Paper in journal: ‘Ceramic Points of View: Video Interviews, the Internet and the Interpretation of Museum Objects’, Journal of Design History, 2006, 19, pp.333-344. ISSN 0952-4649.

Journal exhibition review: 'Neil Brownsword: Collaging History', in Ceramic Review, 216, November/December 2005, p.65.

Online publication: ‘Ceramic Points of View’, oral history site on the V&A website featuring video, transcripts and images. www.vam.ac.uk/ceramicpointsofview

Paper published in online journal: ‘Espresso, Exoticism and Earthenware: the coffee bar ceramics of the Picassoettes, 1952-1960’, ‘Interpreting Ceramics’ online journal, 2005, issue 6, http://www.uwic.ac.uk/ICRC/issue006/articles/02.htm

Paper in conference proceedings: ‘The London Coffee Bar Problem of the 1950s – an eclectic design challenge to the universalism of modernism.’ Futureground, Design Research Society International Conference, Monash University, Melbourne, Australia, 19.11.2004. ISBN 0975606026.

Paper in conference proceedings: '1950s London Coffee Bar Ceramics', NCECA Journal 2003, vol. XXIV, pp.70-75, ISSN 0739-1544. (Published summer 2004).

Exhibition catalogue essay: ‘Introductory essay’ to the catalogue of ‘Jewellery Unlimited’, a national exhibition of the Association of Contemporary Jewellers, Bristol City Museum and Art Gallery, April 2004.

Journal article: ‘Coffee Culture’, in Ceramic Review, 206, March/Apr 2004, pp.32-33.

Journal article: ‘Mo Jupp: an army of beautiful figures’, (exhibition review), in Ceramic Review, 205, January/February 2004, pp.56-57.

Video commission: ‘Show5’, five edited videos of interviews with Michael Rowe, Ann Sutton, Jim Partridge, Carol McNicoll and Richard Slee. Commissioned by the Crafts Council in 2003 to be played at the museum venues of 5 retrospective exhibitions.

Article in book: 'Studio potters and design: a case study on the Whieldon inspired earthenwares of Walter Keeler', in British Ceramic Design (1600-2002), published by the English Ceramic Circle, 2003.

Video commission: ‘Containing Ceramics’, a video to accompany the Craft’s Councils exhibition of the same name at the SOFA Design expo. in Chicago, October 2002.

Online paper: 'Producing an on-line undergraduate module for the Distributed Network of Electronic Resources', in http://www.brighton.ac.uk/designingbritain/, published online by the University of Brighton, September 2002.


Recent presentations & papers:
Lecture: ‘A blurred photograph of Jesus is better than no photograph at all’ – the practicalities of using video as an oral history tool’, International Oral History Conference, University of Guadalajara, Mexico, 26th September 2008.

Lecture: 'Walter Keeler: Designer/Maker', Glynn Vivian Art Gallery, Swansea, 30th May 2008.

Presentation: 'Participatory digital narratives: crafts and material objects', Textiles Research Day at the V&A Museum, organised by Juliet Ash (RCA) and Janis Jefferies (Constance Howard Resource and Research Centre in Textiles, Goldsmiths, University of London), 22nd February 2008.

Paper: ‘Recording the crafts: using video in a gallery context’, Crafts Curators Conference, University of Bristol, 27th November 2006.

Presentation: ‘Using collections and archives to inform contemporary work, research and oral history’, panel discussion at Kings College, London in association with Origin, the London Craft Fair and the London Centre for Arts and Cultural Enterprise), 3 October 2006.

Paper: ‘The Ceramics of South West England’, National Council for Education in the Ceramic Arts (NCECA) Conference, Portland, Oregon, 10 March 2006.

Paper: ‘Ceramic Points of View – using video interviews and the web in the interpretation of museum objects’, Show/Tell: Relationships Between Text, Narrative and Image (conference at the University of Hertfordshire, 12 September 2005.

Paper: ‘The London Coffee Bar Problem of the 1950s – an eclectic design challenge to the universalism of modernism.’ Futureground, Design Research Society International Conference, Monash University, Melbourne, Australia, 19 November 2004.

Seminar: ‘Filming people handling and discussing V&A pots - an exploration of differing responses to the same objects'. Ceramics Study Day, V&A Museum, 30th January 2004.

Paper: ‘Using recorded interviews for research purposes’, 19th September 2003, ALIAS Symposium, ‘Practice and Reflection’, organised by the Arts Council at the Gloucestershire Guild of Craftsmen, Painswick, Gloucestershire.

Paper: 'London Coffee Bars of the 1950's', 13th March 2003, San Diego, California.
A paper given at the National Council for Education in the Ceramic Arts (NCECA) Conference. (Paper published summer 2004).

Seminar: 'Research Interviewing approaches at NEVAC', 28 September 2002, University of Central England, Birmingham. A presentation given to PhD students and supervisors outlining NEVAC's approach to oral history interviewing.

Paper: ‘Studio potters and design: a case study on the Whieldon inspired earthenwares of Walter Keeler’, 21 September 2002, Victoria & Albert Museum. Conference: ‘75th Anniversary Colloquium: Design and British Ceramics’, 21 September 2002. (Paper published in a book, June 2003).

Paper: ‘Espresso, Exoticism and Earthenware: the coffee bar ceramics of the Picassoettes, 1952-1960’, 5 September 2002, University of Wales, Aberystwyth. Conference: Design History Society Conference, 3-5 September 2002.

Paper: ‘Producing an on-line undergraduate module for the Distributed Network of Electornic Resources’, 3 September 2002, University of Brighton. Conference: ‘Designing Britain: the visual experience of post-war society’, 3-4 September 2002.
Published online at www.designingbritian.org

Paper: ‘The National Electronic and Video Archive of the Crafts: Case studies in Craft History’, 28 November 2001, Rajabhat Institute Suan Sunuandha, Bangkok. Conference: The 4th Annual Seminar for Academic Education Covering New Technologies and Methodologies in Arts, Media and Design on ‘Teaching, Learning and Research for the Creative Professions’.

Seminar: ‘Recording Interviews at the National Electronic and Video Archive of the Crafts’, Victoria & Albert Museum Research Department, Research in Progress Seminar series, 13 July 2001.

Paper: ‘Michael Cardew at Winchcombe’, Michael Cardew Centenary Symposium, Arts Centre, University of Wales, Aberystwyth, 27 June 2001.

Paper: ‘Preciousness and weight in hand-made ceramics’, Precious: Objects and Collections, Sheffield Hallam University, 23 May 2001.

Paper: ‘Academia Meets technology: Setting up a web-based video database at the National Electronic and Video Archive of the Crafts’, ‘New Directions in Systems Development 2001: Multimedia’, University of Wolverhampton, (sponsored by the British Computer Society),14 March 2001.


Research Interests:

• As Director of the National Electronic and Video Archive of the Crafts (NEVAC) I am responsible for recording video interviews with craftspeople across a range of craft media. http://www.media.uwe.ac.uk/nevac/

• I am a member of the V&A Museum’s Crafts Committee.

• I am a founding member of the ‘Interpreting Ceramics’ Journal, www.interpretingceramics.com.

• I am a member of the Management Committee of the Constance Howard Resource and Research Centre in Textiles at Goldsmiths College, University of London.
http://www.goldsmiths.ac.uk/constance-howard/

• I am external examiner for the Contemporary Crafts BA (hons) degree at University College Falmouth.
http://www.falmouth.ac.uk/201/courses-7/undergraduate-courses-42/contemporary-crafts-bahons-65.html

• I am a member of the ‘Enamels, Textiles and Ceramics Applied Arts Research Group’ (etc) at the Bristol School of Art, Media & Design. http://www.media.uwe.ac.uk/etc/

• I am a member of the Design History Society.

• I am Chair of the Faculty of Creative Arts’ Research Ethics Sub-Committee.

• I am a member of the University of the West of England, Bristol’s University Research Ethics Committee.

• I am a member of the University of the West of England, Bristol’s Academic Board.

• I am a member of the Faculty of Creative Arts’ Faculty Board.

• I am a member of the ‘Enamels, Textiles and Ceramics Applied Arts Research Group’ (etc) at the Bristol School of Art, Media & Design. http://www.media.uwe.ac.uk/etc/

• I teach visual culture (levels 1, 2 and 3) in the School of Creative Arts, mainly tutoring essays and dissertations.

My wife's website can be found at http://www.janinepartington.co.uk
Finally a website called PSDS: a voluntary group whose principal goal is to provide support for children with Downs Syndrome and their families: http://www.psds.info/Index.htm

ADVISORY PANEL
Recording the Crafts has an advisory panel consisting of: Alun Graves, Walter Keeler, Kate Malone, Professor Victor Margrie and Moira Vincentelli.

You can contact Matthew on:
0117 328 4746

Or write to him at:
The University of the West of England, Bristol,
Faculty of Art, Media & Design,
Bower Ashton Campus, Kennel Lodge Road,
Off Clanage Road, Bristol, BS3 2JT.
e-mail: matthew.partington@uwe.ac.uk

· My wife Janine is an enamel artist. Her website can be found at http://www.janinepartington.co.uk