Centre for Fine Print Research University of the West of England Centre for Fine Print Research
 

Dr Carinna Parraman

Presentations and Papers

For a full list of Carinna Parraman's papers, lectures and workshops please download her CV

 

Keynotes and Invited Lectures

Invited speaker: 2.5D Printing in All about Imaging: Transactions, Royal Photographic Society, University of Westminster, April 2014 Publisher's URL: www.rps.org/news/2014/april/transactions    

Invited speaker: Painting by numbers in Science of Inkjet and Printed Drops 2014, Institute of Physics, London 11 Nov 2014 Publisher's URL: www.iopconferences.org/iop
 

Artefact: Spiral Graph in Wallpaper – Artist’s Interior Worlds, London Print Studio, 13th September - 1st November 2014, curated by: Matthew Meadows, John Phillips and Nadia Yahiaoui Publisher's URL: www.londonprintstudio.org.uk

The drama of illumination: artist’s approaches to the creation of HDR in paintings and prints, Invited speaker – special session, IS&T/SPIE Electronic Imaging 2010, San Jose, USA

 
Does This Look Right? The Science of Colour Appearance in Art, invited speaker Science Café, Explore-At Bristol, 9 June 2009
 
HDR and Color Constancy - New Psychophysical Results, Google TechTalk January 22, 2009. Authors McCann, J.J.;  Parraman, C.;  Rizzi, A.

 

Published Conference Papers

Durer’s Rhinoceros - Artists’ Approaches to Reproducing Texture in Art. In: 50th Annual Convention of the Artificial Intelligence and Simulation of Behaviour (AISB), University of Goldsmiths, London, 1-4 April 2014

The visual appearance and surface texture of materials according to the old masters

An investigation into the micro surface of artworks using alternative lighting techniques

Blueprints for colour mixing: Towards 2.5D textural printing

Reproduction of Texture in Digitally Printed Artworks. Parraman, C, McCallion, P, Cohen, C, Hoskins, S
Centre for Fine Print Research, University of the West of England, Bristol, UK


The Development of Vector Based 2.5D Print Methods for a Painting Machine, in proceedings volume 8652 Color Imaging XVIII: Displaying, Processing, Hardcopy, and Applications, January 2013



3D Printing of Transparent Glass in proceedings of NIP28/Digital Fabrication 2012 Authors: Parraman, C;. Huson, D.; Klein, S,.; Adams, G.; Simske, S.
 
Colour Print Workflow and Methods for Multi-layering of Colour and Decorative Inks using UV Inkjet for Fine-art Printing in proceedings of Color Imaging XVII: Displaying, Processing, Hardcopy. (8292) SPIE, pp. 8292-38.  IS&T/SPIE Electronic Imaging 2012, San Francisco, USA. Authors Parraman, C.; Laidler, P.

 
Dark Texture in Artworks, in proceedings volume 8292: Color Imaging XVII: Displaying, Processing, Hardcopy, and Applications, December 2011
 
3D Printing in Colour: Technical Evaluation and Creative Applications, published in proceedings Impact 6, ISBN 978-1-906501-03-7, Authors Parraman, C.; Walters, P.;  Huson, D.;  Stanić, M.
 
3D Printing and Colour: A Multidisciplinary Investigation, published in proceedings Impact 6, ISBN 978-1-906501-03-7, Authors Parraman, C.; Walters, P.;  Huson, D.
 
Knowledge Exchange in the CREATE Project – Colour Research for European Advanced Technology Employment, in proceedings of IS&T/SPIE Electronic Imaging, San Francisco, USA, 23-27 January 2011. Authors Parraman, C.; Rizzi, A.
 
Analysis of Spatial Image Rendering, in proceedings of CIC18, 18th Color Imaging Conference, San Antonio, 8-12 November 2010. Authors McCann, J.J.; Vonikakis, V.; Parraman, C.;  Rizzi, A.
 
Experiments in Inkjet Colour Tests for Printmaking, in proceedings of CGIV 2010, 5th European Conference on Colour in Graphics, Imaging, and Vision, University of Eastern Finland, Joensuu, 14-17 June 2010
 
Pixel and Spatial Mechanisms of Colour Constancy, in proceedings of IS&T/SPIE Electronic Imaging 2010, San Jose, USA, 18 January 2010. Authors McCann, J.J.; Parraman, C.;  Rizzi, A.
 
Artist's Colour Rendering of HDR Scenes in 3D Mondrian Colour-constancy Experiments, in proceedings of IS&T/SPIE Electronic Imaging 2010, San Jose, USA, 18 January 2010. Authors McCann, J.J.; Parraman, C.;  Rizzi, A.
 
The Development of Artists' Novel Colour Palettes for Inkjet Printing, in proceedings of IS&T/SPIE Electronic Imaging 2010, San Jose, USA, 18 January 2010
 
Reflectance, Illumination, and Edges in 3-D Mondrian Colour Constancy Experiments, in proceedings of 11th Congress of the International Colour Association (AIC), Sydney Australia, September 2009. Authors McCann, J.J.; Parraman, C.;  Rizzi, A.
 
Reflectance, Illumination, and Edges, in proceedings of 17th Color Imaging Conference: Color Science and Engineering Systems, Technologies, and Applications, Albuquerque, New Mexico, November 2009. Authors McCann, J.J.; Parraman, C.;  Rizzi, A.
 
Colour Appearance and Color Rendering of HDR Scenes: An Experiment, in proceedings of IS&T/SPIE Electronic Imaging 2009, San Jose, USA, 18-22 January 2009. Authors McCann, J.J.; Parraman, C.;  Rizzi, A.
 
Printability Beyond the Limits: Alternative Double Printing Method for Inkjet, in proceedings of IS&T/SPIE Electronic Imaging 2009, San Jose, USA, 18-22 January 2009. Authors Parraman, C.;  Wang, Y.
 
On Determining the Colour Gamut of N-ink Printers, in proceedings of IS&T/SPIE Electronic Imaging 2009, San Jose, USA, 18-22 January 2009. Authors Parraman, C.;  Wang, Y.
 
Colour in Flux: Describing and Printing Colour in Art, in proceedings of Electronic Imaging, Science and Technology, Color Imaging XIII: Processing, Hardcopy and Applications, San Jose USA,  29th-31st January 2008
 
Specifying Colour and Maintaining Colour Accuracy for 3D Printing, in proceedings of Electronic Imaging, Society for Imaging Science and Technology/Society of Photographic Instrumentation Engineers, San Jose USA, 26-31 January 2008. Authors Parraman, C.; Huson, D.; Walters, P.; Reid, B.
 
User Preferences in Colour Enhancement Unsupervised Methods for Printing, in proceedings of IS&T/SPIE Electronic Imaging, San Jose, USA, 28 January –1 February 2007. Authors Parraman, C.; Rizzi, A.
 
The Practical Application of an Artist's Colour Model as an Alternative to CMYK, in proceedings of Color Imaging VIII: Processing, Hardcopy, and Applications Conference January 2003. Authors Parraman, C.; Hoskins, S.
   

Unpublished Conference Papers


Reproduction of Texture in Artworks, All About Imaging, University of Westminster, 30th May 2012
 
The Craft of Print in a Digital Economy, 2nd International Printmaking Symposium, Bentlage Rheine, Germany, 27-30 September 2012
 
Does This Print Look Too Blue To You? Colour Group of Great Britain symposium, The Textile Institute, London, 30 November 2011
 
Traditional Approaches Using New Technologies: Case Studies of Printed Wallpaper Using UV Inkjet Printing. Authors Parraman, C.; Adams-Foster, S. Desire 11 Conference, Eindhoven University of Technology, Netherlands 19th-21st October 2011

 
After Albers, Perceiving – Colour and the Visual Arts panel, Kaleidoscope: New Perspectives on the Humanities, University of Warwick, 28-29 May 2011
 
Specifying Colour and Maintaining Colour Accuracy for 3D Printing, CREATE Conference, Gjøvik University College, Norway. June 2010 (.pdf)
 
Development in the Recovery of Colour in Fine Art Prints through Spatial Image Processing Methods. 4th International Conference on Preservation and Conservation of Digitally Printed Materials, Institute of Physics, London 27 - 28 May 2010
 
New Findings to Colour Changes in Prints During Long-term Dark Storage of Prints. 4th International Conference on Preservation and Conservation of Digitally Printed Materials, Institute of Physics, London 27 - 28 May 2010
 
Spatial Image Processing for the Enhancement and Restoration of Film, Photography and Print, Authors Parraman, C.; Rizzi, A.  INFOS 2010, The 7th International Conference on Informatics and Systems, Cairo Egypt, 28-30 March 2010

 
The Longevity of Ink on Paper for Fine Art Prints. CREATE, Colour Heritage and Conservation Università Degli Studi Di Milano, Italy, 19 - 24 October 2009 (.pdf)
 
An Artists’ Approach to the Interpretation and Reproduction of Coloured Shadows through Pigment Colour Mixing, 'Colorlab Workshop #7: Dynamic range of light, contrast and perception in digital images', The Norwegian Color Research Laboratory, Gjøvik, 26th November 2008
 
The Art and Science of Colour: Bridging the Gap Between Art and Perception. Authors Parraman, C.; Rizzi, A.;  McCann, J..J. Seeing... Vision and Perception in a Digital Culture', The 2008 CHArt Conference (Computers and the History of Art 24th Annual Conference), Birkbeck College London, 6th – 7th November 2008.
 
3D Printing and Colour: A Multidisciplinary Investigation, CREATE – Colour Research for European Advanced Technology Employment (Training event 2), University of the West of England, Bristol, 13th-17th October 2008. Authors Parraman, C.; Huson, D.; Walters, P.
 
How Might Inkjet be Developed? Gjøvik Color Imaging Symposium, The Norwegian Color Research Laboratory, Gjøvik, 14-15 June 2007
 
The Combination of Traditional Printing Inks and Inkjet, for Increasing Colour Choice for Artists, Printing Technology SPb’06, St Petersburg, Russia, 26-30 June 2006. Authors Parraman, C.; Rizzi, A.
 
Searching User Preferences in Printing: A Proposal for an Automatic Solution, Printing Technology SPb’06, St Petersburg, Russia, 26-30 June 2006.
 
What Happens During Storage? To Evaluate the Whiteness Artists’ Enhanced Inkjet Papers and Changes in Relation to the Fading of Ink, third International Conference on Preservation and Conservation Issues Related to Digital Printing, Institute of Physics, London, 24-25 April 2006. Authors C. Parraman, C.;  Wang, H.Q.
 
Experiments in the Hybridisation of Screenprint and Inkjet Colour, ENSAIA, Nancy, France, 9-10 November 2005.
 
Methods of Making ICC Profiles for Fine Art Inkjet Printing, Beijing International Conference on Imaging, China, May 2005. Authors C. Parraman, C.;  Wang, H.Q.
 



For a full list of Carinna Parramans papers, lectures and workshops please download her CV