Dr Carinna Parraman
Presentations and Papers
For a full list of Carinna Parraman's papers, lectures and workshops please download her CV Selected Keynote / Invited talks
C. Parraman, The drama of illumination: artist’s approaches to the creation of HDR in paintings and prints. Invited speaker – special session, IS&T/SPIE Electronic Imaging 2010, San Jose (California – USA), 18 January 2010J. McCann, C. Parraman, A. Rizzi, HDR and Color Constancy - New Psychophysical Results, TechTalk Google, January 22, 2009. http://www.youtube.com/watch?v=OmlaLSxj27k
C. Parraman: 'An artists’ approach to the interpretation and reproduction of coloured shadows through pigment colour mixing', 'Colorlab Workshop #7: Dynamic range of light, contrast and perception in digital images', The Norwegian Color Research Laboratory, Gjøvik, 26th November 2008
C. Parraman (2007) How might Inkjet be developed? Gjøvik Color Imaging Symposium, The Norwegian Color Research Laboratory, Gjøvik, Norway, 14-15 June 2007.
Selected Presentations and Papers
C. Parraman, Colour print workflow and methods for multi-layering of colour and decorative inks using UV inkjet for fine-art printing. IS&T/SPIE Electronic Imaging 2012, San Francisco (California, USA), 24-26 January 2012.C. Parraman, Does this print look too blue to you?, Colour Group of Great Britain symposium, The Textile Institute, London, 30 November 2011
C.Paraman & S.Adams-Foster, Traditional approaches using new technologies: Case
studies of printed wallpaper using UV inkjet printing Desire 11 Conference, Eindhoven University of Technology, Netherlands 18th-20th October 2011
C. Parraman, After Albers, Perceiving – Colour and the Visual Arts panel, Kaleidoscope: New Perspectives on the Humanities, University of Warwick, 28-29 May 2011
C. Parraman and A. Rizzi, Knowledge exchange in the CREATE project – Colour Research for European Advanced Technology Employment, Proc. IS&T/SPIE Electronic Imaging, San Francisco, California USA, 23-27 January 2011
J.J. McCann, V. Vonikakis, C. Parraman, A. Rizzi (2010) Analysis of Spatial Image Rendering, CIC18, '18th Color Imaging Conference', San Antonio, 8-12 November 2010
C. Parraman, Experiments in inkjet colour tests for printmaking, CGIV 2010, 5th European Conference on Colour in Graphics, Imaging, and Vision, University of Eastern Finland, Joensuu, Finland, 14-17 June 2010
C. Parraman, 'Specifying Colour and Maintaining Colour Accuracy for 3D Printing', CREATE Conference, Gjøvik University College, Norway. June 2010 (.pdf)
C. Parraman, New findings to colour changes in prints during long-term dark storage of prints. 4th International Conference on: Preservation and Conservation of Digitally Printed Materials, Institute of Physics, Rutherford Lecture Theatre, London 27 - 28 May 2010
C. Parraman, Spatial image processing for the enhancement and restoration of film, photography and print, INFOS 2010, The 7th International Conference on Informatics and Systems, Cairo Egypt, 28-30 March 2010
John J. McCann; Carinna E. Parraman; Alessandro Rizzi: 'Pixel and spatial mechanisms of colour constancy', IS&T/SPIE Electronic Imaging 2010, San Jose (California – USA), 18 January 2010
Carinna E. Parraman; John J. McCann; Alessandro Rizzi: 'Artist's colour rendering of HDR scenes in 3D Mondrian colour-constancy experiments', IS&T/SPIE Electronic Imaging 2010, San Jose (California – USA), 18 January 2010
C. Parraman (2010) The drama of illumination: artist’s approaches to the creation of HDR in paintings and prints, Invited speaker – special session, ' IS&T/SPIE Electronic Imaging', San Jose, California USA, 18-21 January 2010
Carinna E. Parraman: 'The development of artists' novel colour palettes for inkjet printing', IS&T/SPIE Electronic Imaging 2010, San Jose (California – USA), 18 January 2010
C. Parraman, The longevity of ink on paper for fine art prints. CREATE, Colour Heritage and Conservation Università Degli Studi Di Milano, Italy, 19 - 24 October 2009 (.pdf)
C. Parraman, A. Rizzi, J. McCann, Reflectance, illumination, and edges in 3-D Mondrian colour constancy experiments, 11th Congress of the International Colour Association (AIC) 2009, Sydney Australia, September 2009
C. Parraman, A. Rizzi, J.J. McCann: Reflectance, illumination, and edges, 17th Color Imaging Conference: Color Science and Engineering Systems, Technologies, and Applications, Albuquerque, New Mexico, November 2009
C. Parraman, Does this Look Right? The science of colour appearance in art, Science Café lecture and discussion session, Explore-At Bristol, 9 June 2009
Impact 6 Multi-disciplinary Printmaking Conference, Chair of Panel 4
C. Parraman, A. Rizzi, J.J. McCann: 'Colour appearance and color rendering of HDR scenes: an experiment' IS&T/SPIE Electronic Imaging 2009, San Jose (California – USA), 18-22 January 2009
C. Parraman, Y. Wang,' Printability beyond the limits: Alternative double printing method for inkjet' IS&T/SPIE Electronic Imaging 2009, San Jose (California – USA), 18-22 January 2009.
Y. Wang, C. Parraman:, 'On determining the colour gamut of N-ink printers', IS&T/SPIE Electronic Imaging 2009, San Jose (California – USA), 18-22 January 2009.
C. Parraman, J.J. McCann, A. Rizzi: 'The art and science of colour: Bridging the gap between art and perception', Seeing... Vision and Perception in a Digital Culture', The 2008 CHArt Conference (Computers and the History of Art 24th Annual Conference), Birkbeck College London, 6th – 7th November 2008.
C. Parraman, A. Rizzi: Developing the CREATE network in Europe, Colour in Art, Design and Nature, Edinburgh, October 24th 2008.
P. Walters, D. Huson & C. Parraman
3D Printing and Colour: A Multidisciplinary Investigation, CREATE – Colour Research for European Advanced Technology Employment (Training event 2), University of the West of England, Bristol, 13th-17th October 2008.
C. Parraman, Colour in Flux: Describing and Printing Colour in Art, Electronic Imaging, Science and Technology, Color Imaging XIII: Processing, Hardcopy and Applications 29th-31st January 2008, San Jose USA
C. Parraman, P. Walters, D. Huson & B. Reid, 'Specifying Colour and Maintaining Colour Accuracy for 3D Printing', Proceedings of Electronic Imaging, Society for Imaging Science and Technology/Society of Photographic Instrumentation Engineers, San Hose, 26-31 January 2008
C. Parraman, A. Rizzi User preferences in colour enhancement unsupervised Methods for Printing, Proc. IS&T/SPIE Electronic Imaging, San Jose, California USA, 28 January –1 February 2007.
C. Parraman, From Drypoint to Inkjet, Printed on Paper Conference, The Sage Conference Centre, Gateshead, UK, 5-7 September 2007. In book: J. Colbourne and R. Fishman Snyder. (2009) Printed on Paper, Northumbria University, Newcastle upon Tyne, Arts and Social Sciences Academic Press.
C. Parraman, A. Rizzi, The combination of traditional printing inks and inkjet, for increasing colour choice for artists, Printing Technology SPb’06, St Petersburg, Russia, 26-30 June 2006.
C. Parraman, Searching user preferences in printing: A proposal for an Automatic Solution, Printing Technology SPb’06, St Petersburg, Russia, 26-30 June 2006.
C. Parraman, H.Q Wang, What happens During Storage? To evaluate the whiteness artists’ enhanced inkjet papers and changes in relation to the fading of ink, Third International Conf on Preservation and Conservation Issues Related to Digital Printing, Institute of Physics, London, 24-25 April 2006.
C. Parraman, Experiments in the hybridisation of screenprint and inkjet colour, ENSAIA, Nancy, France, 9-10 November 2005.
H.Q. Wang and C. Parraman, Methods of making ICC profiles for fine art inkjet printing, Beijing International Conference on Imaging, China, May 2005.
The Practical application of an artist's colour model as an alternative to CMYK January 2003
Workshops
Mapping HDR luminance for colour appearance: an experiment
Place: CREATE – Colour Research for European Advanced Technology Employment (Training event 2), University of the West of England, Bristoltaught By: J. McCann, A.Rizzi , C. Parraman ,
Date: 13-17.10.08
Pixel Perfect;' Working with CMYK & RGB – a comparison of printed samples'
Place: CREATE – Colour Research for European Advanced Technology Employment (Training event 2), University of the West of England, BristolTaught By: C. Parraman, P.Laidler , Y. Wang
Date: 13-17.10.08
Mixing and describing colour
Place: CREATE – Colour Research for European Advanced Technology Employment (Training event 1), [URCA] FranceTaught By: C. Parraman
Date: 21-24.2.08
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