Centre for Fine Print Research University of the West of England Centre for Fine Print Research
  IMPACT 6, panel 2 Prof. Steve Hoskins

CFPR for Academia

The Centre for Fine Print Research has developed strong links and partnerships with World leading academic institutions over the years. The IMPACT conference is our largest international conference and involves a great deal of academic collaboration and contributions. When the conference isn't held in Bristol the centre works closely with the host institutions. In 2011 Monash University, are hosting Impact 7 in Melbourne, Australia.

Past Impact conferences have been held in:

2007 Estonia, organised collaboratively between the Estonian Printmakers' Association and Estonian Academy of Art, and was held at KUMU, a purpose built art museum in Tallinn.

2005 Poznan/Berlin, Unversität der Künste Berlin and the National Museum in Poznan coordinated by University of Tennessee.

2003 South Africa, Michaelis School of Fine Art, University of Cape Town. Co-hosted with: Rhodes University School of Fine Art


2001 University of Art and Design Helsinki UIAH, Finland

The CFPR has links with the following institutions :

Rijksakademie, The Engineering Department at the University of Seattle, Birkbeck College, London
Edinburgh College of Art, Scotland, Bath Spa University. University of Wales, National College of Art and Design in Dublin. Dr Matthew Studley, Bristol Robotics Laboratory. Dr Jonathan Rossiter, Department of Engineering Mathematics, University of Bristol. Maja Stanic, University of Zagreb – Faculty of Graphic Arts, Croatia. Boyko Stoimenov, Bio-mimetic Control Research Center, RIKEN, Nagoya, Japan. Bristol City Museum and Art Gallery. The British Museum Conservation department. AKI (ArtEz) in Enschede, The Netherlands. University of Missouri, USA. Winchester School of Art. Manchester Metropolitan University.
Nottingham Trent University, The Royal Birmingham Society of Artists. Swindon College.

londonprintstudio, Quay Arts Centre, Isle of Wight. Purdue University, USA; Cover to Cover at the RBSA, UK; artists’ books at Permanent Gallery and Bookshop, Brighton, UK Society of Bookbinders.
The Richard Attenborough Centre at the University of Leicester; Stroud College, Drake University, Des Moines, USA. Arnolfini Bristol. Università Degli Studi Di Milano, Italy; Gjøvik University College, Norway;
University of Leeds; University of Ulster in Belfast, Northern Ireland, Universitat Autònoma de Barcelona, Spain; Université de Reims Champagne-Ardenne, France; Pannon University (formerly University of Veszprém) Hungary. The Society for Imaging Science and Technology. Penland School of Crafts.
Devon Guild , Velvet da Vinci San Francisco USA, Society of Contemporary Crafts Pittsburgh, Kent State University. East Carolina University. Virginia Commonwealth University. Haystack Mountain School Maine USA . British Society of Enamellers. London Metropolitan University. Middlesex University. Museum of Modern Art New Delhi, India. J J School of Art Bombay, Indi. St Cuthberts Mill, University of Arizona
Dundee University, Benrido, Japan, TNUA Taiwan, University of Art and Design, Helsinki, Estonian Lithographic Centre, Rutgers University of New Jersey, Pratt Institute, Brooklyn, New York. Monash University, Melbourne, Australia. Zona Imaginaria Argentina

 

Bulletin

Buy one of our limited edition Miniprints!

More Information
+ All news

Current CPD Courses -

"The CFPR's new portfolio of professional development courses is designed to deliver cutting-edge professional development with a practical focus."
Feedback from our recent Letterpress course:

“Tutor was excellent, extremely well informed and enthusiastic. The best aspect of the course was the small group so we were allowed a lot of time on the press and room to work”

“Excellent, helpful, patient, clear, supportive, friendly – great tutors and brilliant facilities. Really good course – I have worked hard every day, learned lots and have some satisfactory pieces of work at the end”

“Excellent support from a tutor who had a great knowledge of the subject. This allowed me to produce a large volume of high quality prints”

“I found the tutor to, not only be knowledgeable in the field of letterpress, but friendly and supportive. Being able to put into practice what we’d been taught was particularly good. Producing the photopolymer plates was one of the highlights.”