Women and Poetry in the 21st Century:
Kicking Daffodils III

Two-day conference: 6th and 7th September 2006
University of the West of England
 

Conference Poster

About the Conference

* What is signified by terms such as 'woman poet' or 'women's poetry'?

* Under what circumstances and for what reasons do women write poetry? Does it matter? Why?

* Why and how do a woman's poems find their way into publication? When and why do they fall out of print?

* What have the classifications 'Romanticism', 'Modernism', or 'Enlightenment' done for women poets?

* Do women poets use poetic forms to escape or challenge literary/poetic tradition? 

NEW - last minute details about the conference


This two-day international conference, hosted by the University of the West of England and Bath Spa University, represents a fresh chance to explore, debate and re-understand the literary outputs of the women who, down the ages, have chosen to express themselves in the specialised form of poetry. Examining some of the chief developments marking the burgeoning of critical interest in this developing literary field, the event will bring commentators and scholars in women's poetry from the 16th century to the present, together with editors and publishers, reviewers and contemporary poet-critics.

A full programme of papers, roundtable conversations, interviews and workshop-seminars is planned, punctuated by readings from leading poets including Deryn Rees-Jones and Kate Clanchy. One central concern may prove to be the question of why and how far gender can still be said to affect the reading, writing, publication and/or performance of poetry from any century. Other themes which we might expect or hope to explore include:  

the lyric voice; class; anthologising women; myth; sexuality; radical / experimental poetics; collaboration; poetry in performance; influence; the long poem; race / ethnicity; the Muse; the politics and economics of (female) poetry publishing